Tesla Sparks
On March 13, 1895, according to The New York Times, physicist Тесла Никола (Nikola Tesla) was grief-stricken when his laboratory on Fifth Avenue in New York City was consumed by […]
On March 13, 1895, according to The New York Times, physicist Тесла Никола (Nikola Tesla) was grief-stricken when his laboratory on Fifth Avenue in New York City was consumed by […]
In his lecture, “Raum und Zeit” (Space and Time) delivered at the 80th Meeting of the Natural Scientists in Cologne on September 21, 1908, German mathematician Hermann Minkowski developed his […]
As Oliver Botar has demonstrated in his Sensing the Future: Moholy-Nagy, Media and the Arts, the Lichtrequisit was not conceived to be viewed as a sculpture in itself. It was […]
In 1937, the Association of Arts and Industries invited László Moholy–Nagy to develop and direct a school of design and architecture in Chicago based upon the Bauhaus model of an […]
According to Plato, the four material elements were derived from a common source or prima materia (first matter), associated with chaos, which alchemists later assigned to the first element used […]
While a student at the Bauhaus, Ludwig Hirschfeld-Mack developed equipment to produce experiments with Farblichtspiele (Color-Light-Plays, c. 1924) on continuous film. In Malerei Photographie Film (Painting, Photography, Film, 1925), Bauhaus […]
In his treatise on The Fourth Dimension (1904), British mathematician Charles Hinton demonstrated how three-dimensional representations do not adequately represent all of the elements of matter, only its three spatial coordinates, […]
American inventor and photographer Eadweard Muybridge was commissioned by Leland Stanford, then entrepreneur and horse breeder, later Governor of California, to study the motion of his horses at his ranch […]
In his exposition on the geometry of movement, Choreutics (1966), choreographer and dance theorist Rudolf von Laban attributed the ancient Greek term choreosophia, a combination of choros meaning circles and sophia meaning […]
Until the publication of The Seven Lamps of Architecture in 1849, John Ruskin published anonymously. For the first two volumes of his Modern Painters (1843, 1846), Ruskin was identified only as […]